Ryley Walker is fresh off of an extensive European tour celebrating the March 31st release of his sophomore record, Primrose Green. It seemed as if everyone in the building had been told to absolutely not miss the Chicago native's set. It was impossible to get anywhere near the PRX stage, people were crammed in so tightly. Maybe it was the intimacy of his performance--he was performing sans his backing band--or simply the urge to see the twenty-five-year-old's fingerpicking style in real life, but the crowd was pulled toward him with magnetic strength.
Canadian-American Cree singer-songwriter, social activist, musician, pacifist, composer, and visual artist Buffy Sainte-Marie, a legend with over two dozen albums under her belt, is seventy-four years old and one would have no idea. Sainte-Marie's catalogue focuses on the issues of the Indigenous peoples of the Americas, as does her latest album, Power In the Blood. Her performance was dynamic and energetic, sporting a blonde streak in her black hair and a fringe jacket that inspired fashion designers to name entire products after her, she powered through a set that I overheard being referred to as "folk metal".

This
year marks the fifteenth anniversary of I Am Shelby Lynne--the record that earned her the Grammy for Best New Artist--and she is still going strong. Her distinctive contralto voice was soothing, powerful, moving and so much more. Though she founded her own record label, Everso Records, Lynne has recently joined the Rounder Records roster. It was through Rounder that her seventh album, I Can't Imagine, was released last week.
-Kendall Stewart
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